Boss Dr 5 Dr Rhythm Section Video Manual On Dvd

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Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Please try again.Please try again.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account This DVD explains everything you need to know to get up and running quickly. It covers the operation of the DR-880. Host David Wills has been teaching musicians and studio owners for over 20 years and now you can receive that same advice in the comfort of your own home. DVD CONTENTS: 0:01:00 INTRODUCTION 0:01:50 Front Panel Overview 0:02:45 Rear Panel 0:04:00 Getting to the Home screen 0:05:00 Playing the Demo 0:05:30 Using the Pads 0:07:40 Patterns vs.If you are a seller for this product, would you like to suggest updates through seller support ? Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. Dennis G. 5.0 out of 5 stars This DVD is one of the most effective tutorials I have ever seen. It arrived on the same day as the Boss DR-800 and I'm very grateful it did. While the DR-800 manual is very good, going through the DVD first was very helpful -- it totally demystified the nature of the device and instilled enthusiasm for using it. The gentleman providing the instruction is fantastic. He is clear, personable and articulate. He has a real talent for knowing when to elaborate. Every time I was unclear on a particular point, it was like he anticipated it and, in the next 10 seconds, addressed that point. He also communicated his genuine appreciate for how cool a tool the DR-800 is. I can't recommend this DVD highly enough.
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I think it's saved me hours in getting up to speed. I found it to be more than worth the money.This is an excellent tutorial. Period. Even without having the Machine in front of me I was able to follow the instruction very closely and understood the training fully. The instruction is thorough and interesting. The instructor actually adds some life to the training (what could have been a boring and head-banging overload). He did a great job keeping me on track and interested throughout. I know I will be reviewing this DVD tutorial time and again until I've got this thing mastered. Great DVD, great price, and a can not do without, resource. Trying to learn this machine with just the owner user manual would be utterly exhausting. Thanks again to Amazon for providing another great product.It answered all my questions about the functions of this unit and I would buy other products of this type from the seller. Did just what I expected it to do.The DR-880 has so many features that even the most experienced artist could benefit from having a reference guide to unlock the full potential of the DR-880.If you start out just using the build-in patterns, the more you use it, the more features you will want to use. The video definately helps getting started. The real learning starts with the doing.modifying patterns and building songs. What I first thought I understood, turned out not to be as clear as it seemed. I continue to go back to the video and catch details that I missed.coupled with the manual, it all comes together. My objective is to make music and not to fiddle with a machine. After you do a few patterns and songs, the process becomes more natural.Roland certainly know their stuff in seeking the experience and support of David Wills (of ProAudioDVDs.com) in making this video. I already have other videos created by David for other equipment i own and my experience using these meant i had every confidence in the quality of this video.
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I feel David's delivery on products he reviews to be excellent, very clear, very thourough and full of useful tutorials on everything you wish to know about your product. I am hopeless when trying to learn from paper manuals and I can't praise this product enough.Sorry, we failed to record your vote. Please try again. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. In no event shall Roland Corporation be liable to end-users for any damages whatsoever, including but not limited to financial damages for any loss of profits or information arising from the use of, or inability to use this updater. The foregoing provision is effective even if Roland Corporation has been advised of the possibility of such damages. Please read carefully the terms of this License Agreement before installing or using the SOFTWARE. By installing, copying, or starting the use of the SOFTWARE, you hereby consent to the terms of this License Agreement.Use of the SOFTWARE shall include loading the SOFTWARE into temporary memory (i.e.
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, RAM) or installing the SOFTWARE into storage media (i.e., hard disk) of the computer on which you will use the SOFTWARE.Therefore, you must treat the SOFTWARE like any other copyrighted material (i.e., a book or a CD). All rights that are not provided for herein are reserved by Roland.But you may permanently transfer the SOFTWARE and accompanying printed materials provided you retain no copies of the Software and recipient agrees to the terms of this License Agreement. If the SOFTWARE has been updated or upgraded, any transfer of the SOFTWARE must include the most recent update and all prior versions.You shall not use the remaining form(s) of media on another computer.Please read the instructions completely, and please note that you should use the SOFTWARE AT YOUR OWN RISK. In no event shall Roland be liable to end-users for any damages whatsoever, including but not limited to financial damages for any loss of profits or information arising from the use of, or inability to use this product. The foregoing provision is effective even if Roland has been advised of the possibility of such damages. Even if the SOFTWARE has any material, verifiable, and reproducible program errors, Roland shall have no liability to modify such errors.Upon such termination, you shall immediately stop using the SOFTWARE.All rights reserved. Designed with guitarists, songwriters and live performers in mind, it offers 100 programmable preset backing grooves with basses and drum sounds, both acoustic and electronic, gathered from a variety of genres and styles. The DR-3's 13 input pads are velocity sensitive, and the TSC feature enables sound customizing with EQ's, Dynamics and Ambience effects processing. Let us know YOUR RECENTLY VIEWED ITEMS Browsing History ON Clear History Not responsible for typographical or illustrative errors. Sure, it's a fully complete portable digital recording studio with 8 tracks and 64 V-tracks.
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This DVD not only shows you how to use all the recording functions of the BR-800, but also goes into a crash course in home recording so you don't have to worry if you're just starting out. Selecting an Input Input types and Phantom Power Setting levels Adding Insert Effects Recording with a metronome Example 1:Guitar track Example 2:Bass Guitar overdub Using Microphones Punching In Using V-Tracks Song Sketch EZ Record Bouncing tracks Thanks for saving the day. J J.R. Only way to quick start. Start here, go slow, try it, review, then move on. Before long you will understand the workflow and be submitting work. A A.B. The service from Pro audio is exceptional Nothing is to much trouble and the Boss BR 800 tutorial is well presented with everything clearly explained D D.A. Great video manual This video manual is a must have for any Boss Br-800 owner. It's much easier to see someone demonstrating and teaching how to use the multitrack recorder rather than spend hours reading and searching through a manual. D D.P. Best Business going today because they care for their customers I think they deserve an award for the kind way they treat their customers. They are always on top of the situation A A.W. Boss br800 Very helpful dvd R R.C. Br-800 I purchased the Boss BR-800 over a year ago, but new nothing about music recording and quickly found myself lost using the BR-800's owner's manual. I quit using the recorder until it was suggested I purchase the instruction DVD from ProAudio. I am delighted! The DVD instructions are both easy to understand for beginners yet detailed enough to progress into some of the advanced features. The quality of the presentation is excellent. I have since recorded 2 songs with 4 tracks each, mixed them, down-loaded to my computer and created a cd. I never would have gotten there without the help of this DVD from ProAudio.
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This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. Follow this Product Gallery Product Specs Brand Boss Model DR-5 Dr. Rhythm Finish Black Year 1990s Made In Taiwan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red.Currency. Subscribe to our free newsletter Request a new review This unit sounds simply brilliant. The drums are top notch, as are the rock guitars.I can't imagine how they could be any better. The basses are also rich and lifelike. Everything else is quite adequate. At first, I thought I might like to have more than 4 tracks in the sequencer, but now I think more would be overkill. Four is enough for percussion, bass, lead, and accompaniment, and that's all one needs. I have read complaints from others about the construction (something about the scrolling wheel malfunctioning) but I personally have not experienced any such problems. Memory failed on me once, when I used it outdoors on a freezing cold winter day. Lesson learned: don't use it outdoors on freezing cold winter days. I enjoyed using this machine so much, I created a CD using it. Check out some soundclips and hear the DR5 in action at: This review was originally published on Did you find this review helpful? yes no. I had used an older Brother sequencer with a DR-660 drum machine in the past and I wanted to have better sounds and more sequencer tracks to work with. I support the DR-5 with a Yamaha MDF-3 Midi Data Filer. This unit provides a great sounding rhythm section to my guitar and sax playing. It is very easy to program and has great sounds. I can program a copy song in about an hour and have programed everything from siimple pop songs to very intricate rock anthems.
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You can choose a guitar or keyboard based programing pad and all but the most obscure chord variations. I save the songs to disc on the very fast reading MDF-3, hook the whole system to my PA and away I go. The unit never forgets parts or tempo and has no personality conflicts. The DR-5 itself does not have enough memory to be a stand alone device for performance. A data filer is needed for that. I very seldom use any of the preset rythyms or samples song licks. In my opinion, BOSS could do away with those and free the memory for more user programed songs. The construction and quality of the unit are top-notch, just what I expect from BOSS. My experience with BOSS products has me reliably in their camp. This is a great unit for a guy like me. I want the sound of a back-up band suited to my time constrained lifestyle. This review was originally published on Did you find this review helpful? yes no. It works on 9V power supply or batteries. No effects (you can simply adjust the pitch and decay), no possibility of editing sounds. It has almost everything at hand to write, I just regret that the velocity (volume of the notes) is not recognized by the sequencer (mode expander with a MIDI keyboard, it works, but the sequencer takes only 3 volumes ). UTILIZATION The manual is clear and simple setup. The 36 pads are all a function, so we found it very quickly. Those who have already been working on the BAR Boss can even do without the manual to create a simple rhythm. The editing options are few, one can learn most functions in one day. The sequencer is really nice, you can record in real time or step by step. On screen, it has a keyboard and fretboard to better identify the notes being played. The organization of the pads has been designed for guitarists, very handy when one has no basis in music theory.
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The guitar input lets you record notes (DR-5 recognizes the note played and transcribed by noon, he does not record audio), but the system is a bit wobbly and it is not very practical to use (we often end up with an offbeat tempo and you can not play fast or risk seeing half of the notes will not be saved) SOUNDS The sounds have aged, but they are realistic in the sense that it still manages to recognize a piano of a guitar. The expression is limited, since as I said above, it receives only 3 volumes. Everything sounds right, nothing more. The drum sounds are more than correct for its time (late 90s), especially compared to the price of the new machine. I said that if it still is great for work, do not you use it for studio recording, it is anyway not think to. OVERALL OPINION I used this machine for many years since its release, before selling in 2001, then buy it back again 3 years ago. There has been nothing like it on the market, this is why I use it always. I tested many machines, Roland (Groovebox) and Yamaha (QY series) mainly. The Groovebox do not have a sound general, and if the MC 909 or 808 can get sounds better bill by adding expansion cards, it is far from a portable configuration (it does not work on battery, and given the size of this machine is anyway impossible to use on the move). The Yamaha sound better sometimes, but ergonomics issue is not really that. This is an excellent machine for Laying out, really intuitive, and allows to focus solely on music. I even used Live for a few years since I used as a sequencer to trigger loops on my sampler, and an expander control (great for MIDI, so even if it sometimes takes a little tweaking). The most: - Transportable thanks to its battery power - Panel of various sounds, although it is far from the quality of sound banks current - Simplicity when it comes to transcribe a terrible idea. I can not count the pieces that I composed from this machine.
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Cons: - The limited expression - Limited memory (200 patterns, 20 songs) I have long sought an equivalent machine after it was sold second-hand. Having found nothing as simple and light, so I bought this machine and I found this easier to transcribe an idea very quickly. I also always wondered why manufacturers had abandoned the idea of ??a machine with a small sequencer and sound generalist who can ship everywhere. The value for money was excellent in nine at the time (the Yamaha cost far more expensive, it must be remembered), and still is used. Clearly, with current technology, one could easily imagine a DR-6 with more memory for sounds (when you see what you do with a few MB, there are ways to do something decent with very little memory ) and a USB port or a memory card slot to store easily. Tell Mr. Boss, we leave you when your DR-6??? 12 of 13 people found this review helpful Did you find this review helpful? yes no. I have this sequencer for almost 10 years and I control my MIDI for Cubase VST. You can get lost sometimes in the menus but its use remains effective when one has the manual side. Also in terms of ergonomics we feel that this product date, because the navigation is pretty archaic. Bought quite expensive (about 500 euros new at the time), the drum machine sequencer is anyway valid for music creation and can be found in OCCAZ in the 100-200 euros. 4 tracks are enough to prepare good models, and we can take it anywhere, thanks to a 9 volt battery. Attention to the rotating wheel that ages poorly, provide a replacement in a special magasasin. What could be better. Using the keyboard is simple because the buttons correspond to the squares of a fretboard. Is created directly by tablature. Attractive! The manual is clear. After a long day, we control the corny. SOUNDS Use to compose his drums and set arrangement or control vst midi ring tones, but all the same afternoon. Many kits will suffice for different musical styles.
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OVERALL OPINION I do not know if this product is still in the back because I had great difficulty in acquiring it 10 years ago, no longer manufactured Roland much. The price was exorbitant for the sequencer (500 Euros) but it took that amount at the time. Anyway my Boss DR-5 is still in my home studio ready for use and withstand time. A good sequencer aging well! 3 of 3 people found this review helpful Did you find this review helpful? yes no. The large number of keys makes the little beast easily controlled. There is ultimately a lot of features, but I do not use them all. The possibility to connect his guitar to record a line of instrument is not top, the restitition is too uncertain, it makes this feature unusable. Too bad. In fact, for programming lines of instruments, it seems necessary to have a MIDI keyboard. The manual is clear and precise, nothing to say on it. SOUNDS I find the rhythmic sounds very good, and numerous. You can create your own kit by selecting a sound of interest.OVERALL OPINION I use it for a year. I am very happy because it is small, easy to use and slamming sounds good. The black spot remains for me the memory is too low: at present I have a dozen songs programmed and I still have 53 of the memory allocated to the patterns.What minimum service (but I did not need more) UTILIZATION Get started instantly. For my part I do is that the programming in real time (by slowing down the tempo if necessary). There is an editing function in step by step. Manuel clear, no complaints SOUNDS The sounds you they are suitable to your style of music. I was looking primarily a drum machine, I jumped at the opportunity to have the same time a small sequencer. The drum sounds are still limits to anything other than the model. Other sounds, well, can be used to compose a qd was nothing else on hand, but little else. For realism it is closer Bontempi than anything else.OVERALL OPINION I use it for about 3 years.

I like its relatively small size, its ease of use, that it runs on batteries, so easily transportable (pdt nickel to dial long distance travel by train) Jaime least the fact that the memory is actually quite limited. We are quickly forced to remove patterns to create other, and this even if all the patterns are not met. The sounds are improved.I bought used, between 80 and 120 euros, remember.If I had to renew this type of purchase, I will buy a rather classic drum machines of better quality and I save to buy a real sequencer later. This does not mean that I regret my purchase! 4 of 5 people found this review helpful Did you find this review helpful? yes no By using our services, you agree to our use of cookies. Find out more. On Youtube everybody is telling, that it’s a must today, to free yourself from the DAW and to go back to powerful hardware-machines. Somehow all these influencers managed it brainwash me and now I also believe in the over-hyped hardware. But all those cool hardware-devices are pricey. Therefore I looked after a machine, which should be more affordable, but could serve me with similar virtues. Soon I looked on the vintage market and found the Boss DR-5. I will not numerate all specs of the DR-5, but there were a few things, which stroke me immediately: I wanted a little production studio, which I could carry with me everywhere and which could work like a sketchbook. At last I hoped, that I could tweak the internal sounds to sound cool, though the Boss is more than twenty years old. So I got one from ebay for only 100 Euro and packed it in for the upcoming vacation. During our vacation in France I used it almost everyday and created many song-ideas on it. After you feel familiar with the sequencer the concept of the DR-5 is flawless and offers a lot. The functionality of the sequencer in combination with the fretboard style input and dedicated chord-buttons lead to a fast workflow.

I remember laying on the bed with headphones and the DR-5 running from battery-power and I became not tired to input one idea after another. The sequencer is comfortable, though not as comfortable as newer ones (more on that later). What I most miss here are dedicated step-buttons like on the TR-808 and 909. Instead of buttons the steps are only visualised on the tiny display. Another downside of the 90s design comes to the light, when you try to modify patterns and steps while the sequencer is running. In fact many commands can only be executed, when the machine is stopped. This is kinda sad, because otherwise the Boss could also become a tool for your next Techno-session. But it was not designed for realtime performance. It was meant to be carefully programmed at home and to accompany the guitar (or bass)- player on stage with a quality playback. Coming back to my initial idea to replace a modern Elektron or Teenage Engineering device regarding sketches the DR-5 can still convince. If you are looking for a mobile composing-station and if you are a guitar player and feel familiar with the guitar layout, you will find nothing as easy and comfortable on the actual market. In fact I really wonder, why this layout was not further developed by Boss. I could imagine, that today there are even more guitar players, which would get attracted by cool, new electronic toys. And a concept like this combined with a modern sound engine could seduce many, many guitarists. The end of the story is, that after the experience with the Boss DR-5 I could not resist anymore to buy a Digitakt, because I realised, what the Digitakt would do better. I am not sure, if that more of functionality justifies the price-tag. When I compare these two machines I can even find plus points for the Boss. The main concern with the DR-5 are the sounds. In fact most internal sounds sound like the typical Standard Midi sounds of another age.

And the machine freshes up all bad rememberances on the General Midi era. In general the Drumsets and basses sound better, but synth-sounds are pretty basic and editing is limited. The natural sounds are okay, but who wants to use it today, when much better natural sounds are available. Of course limitations can push your creativity, so I tried to alter the natural sounds in unusual ways turning an acoustic bass to a high pad-sound or using a violin-ensemble as the bass. When you use a sound against its original purpose you can achieve sometimes fresh results. But it still sounds like 90s GM in the end. To overcome the limited sound-engine and because I really liked the layout of the DR-5 I experimented with external distortion on the main outs to breathe a bit of life into the internal sounds. I created a few Youtube-videos and achieved a nice distortion from overriding the camera-input of my trusty Panasonic HDC-SD99. However I am satisfied with some videos, where the distortion is underlining the lofi-sound of the Boss. I also tried to deal with the limitations of the sequencer: For an example you can hide, that you have to stop the sequencer to change the input-mode, when you consciously work with breaks in the performance. The ticking metronome in the realtime-input-mode can be used as a welcome addidtion to the percussion-department (Meanwhile I have discovered, that you can adjust the volume of the metronome) Though I am guitar- player I felt not tempted to test the guitar- input of the Boss, because there are meanwhile much better sounds available for guitar. The tempo can be adjusted using “Tempo” and the Jog-wheel. You can identify User-Patterns easily, because they start with “U”. Next you can press “Kit” and decide for a collection of sounds. It’s also possible to customize these sound-sets, but I just want to show a basic start with the DR-5.

The next important button is “Track select”, which let you switch between the four (Yes, this is not much) sequencer tracks. Fortunately track one controls a whole drumset, so you have three left for other instruments. Because of the clever chord-functionality the four tracks are not as limited as it seems at first. Normally you will start with a drum-track, but first you have to decide, which sequencer-mode you want to use. When you are happy with your selection press “Play”. Unfortunately the step-sequencer is not designed to play live, but it becomes handy, if you want to program something complex. Because the display is not showing an overview of all steps, you can get lost in a longer pattern and it needs some time to get used to the cryptic position-markers of the step-sequencer. Then hit “Start” and the Sequencer is running. In Step-mode you can move forward and backwards with “BWD” and FWD”. With holding “TIE” you can create longer notes than the chosen quantization. Accents can be set with ease diving into a submenu with the arrow-keys on the right side of the display and switching between different solutions can be executed just changing the note under “Quantize”. Too often you have to stop the machine. Many commands can not be done while the sequencer is running. When I had understand the basic operations of the DR-5 I started a little Youtube-serial and tried to use it like one of its modern counterparts. The following video showcases the whole programming-process for a Drum-pattern using all features of the sequencer including different accents for each note. If it’s too boring for you just skip to the end to listen to the complete work. Therefore I let the whole pattern play one time before I start to record notes. But though you have to live with a slightly annoying metronome in the background in realtime-mode the machine becomes a joyful instrument for live-performance.

After the realtime recording is running you can start to input notes using the brilliant fretboard layout. Realtime-playing can get more expressive, when you use the Accent-, Tenuto- and Staccato-buttons additionally. When Chord-mode is engaged the lower three rows work as the root-notes, while you can specify the desired chord with the upper three rows. If you see “Chord” on the display you have succeeded. Now a combination of a button from row one to three on the guitar-interface with a button of row four to six leads to a chord. In this way you can easily record chord-progressions to one track. Thinking on the layering you could even record some crazy poly-chords. And that is not all: You can also program custom-chords, maybe a cluster or Scriabin’s “Mystic chord”. Latest now you should recognise the creative potential, which is hidden under the grey surface of this overlooked machine. There is no handy way to switch between recording and playback. In my improvisations I used to methods to overcome this: The first way is to erase a recorded phrase before recording something new. When the track is empty again I could record something new. The second workaround is to stop the sequencer to switch to playback mode. I masked this action, since I created a break in time, which I used to switch between the two modes. With a little bit of practicing you get used to this method. When I felt comfortable with the workflow of the Boss I created tracks like this: Of course you could pair the Digitakt with an external mobile power source but in my opinion it’s much more comfortable to have the mobile option inside the device. While modern mobile devices like Teenage Engineering’s OP-1 or OP-Z are often driven by Lithium-accus the DR-5 can be fed with standard AA-batteries. I guess nowadays the companies prefer Lithium-accus because of the size, but in my humble opinion Standard batteries are more future-proof. It’s easy to exchange them.