Boss Ds-2 Service Manual

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Trademarks and Copyrights are property of their respective owners. Login Registration is disabled. We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant INSTRUMENT forum topics: BOSS MT-2 METAL ZONE Sziasztok! Megepitettem a cimbeli gitartorzitot, de nem jon ki belole az a hang, ami a YouTube-os demovideokon hallatszik. Ossze szeretnem hasonlitani egy gyarival. Van esetleg valakinek?You can write in English language into the forum (not only in Hungarian). This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. Depression, ADHD, memory loss, agitation: These may seem like inevitable byproducts of modern lives spent multitasking, not getting enough sleep, and operating on digital overload. But while much of the brain’s work still remains a mystery, a growing body of scientific evidence suggests that the food you eat directly affects how well your brain functions. Brain health also pl.The guests range from super celebs (Jamie Foxx, Arnold Schwarzenegger, etc.
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) and athletes (icons of powerlifting, gymnastics, surfing, etc.) to legendary Special Operations commanders and black-market biochemists. For most of my guests, it’s the first time they. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. They help us to show you relevant offers, remember your settings to ease navigation on our website and alert us when the website is slow or unstable. You can view and manage further details and options here.Always with customised added value for musicians. Close Service Contact us Help In addition, the DS-2 has a second mode that enables yet more aggressive sounds. You can use both options live, as there is an extra jack for a foot switch with which to switch between modes. Extremely flexible! Of these, 167 customers have written no texts or given their feedback in another language. 4 53 Customers 53 customers have given this product a 4-star rating. Of these, 51 customers have written no texts or given their feedback in another language. 3 18 Customers 18 customers have given this product a 3-star rating. It has just the right amount of features: two modes - regular and super distortion which in essence is just a switch between two types of tones. The volume and the tone knobs really help a lot with balancing its sound with the final tone of your complete setup. This pedal is in fact so versatile, that I use it as distortion, overdrive, and fuzz. Super distortion mode, max distortion, and 3 o'clock tone makes it a perfect John Frusciante distortion for me, lowering the tone knob and adding a little bit extra gain in your pedal chain makes it sound like a fuzz.
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Regular distortion mode and distortion knob all the way down sounds like blues overdrive. Send report Total features sound quality handling A classic OOJP, 16.08.2019 I’ve used this pedal for well over a year and I can’t really see it ever leaving my board. I’ve never really used the first mode as I just prefer the tone of the second. This is subjective and it never hurts to have the option though. Like other Boss pedals, it has a durable chassis with pedal-wide switch. Compared to a button style this is much easier to toggle. I’ve used it with humbuckers, single coils and filtertrons and it pairs great with all. Send report Total features sound quality handling Good quality but a bit disapointed by the sound wavve, 11.12.2019 The pedal looks solid, usual good built quality from Boss. It's easy to use but the sound is a little too aggressive and messy for me. Yet I'm not giving up on this pedal, I feel there's potential so I'll try a little longer to tame it. Send report Total features sound quality handling Definetly worth a try. Johan1418, 23.12.2013 I have to say that I first dindn't fully know what to expect from this pedal. I was familiar with the Boss brand before, of course, having had a Boss ME-70 Multi-effect board, but i hadn't tried out a single distortion stompbox before this one. However, I am happy to say that it lived up to my expectations. It is easy to handle and the middle boost gives you enough options to play everything from Bluesrock to the shredding guitar solos of both Heavy- and Thrash-metal. If it's combined with a sustain pedal the distortion value also goes to another level. The only not so positive thing worth mentioning is the sound quality, which sounds a bit digital at low volume level, but when turning it up a bit it creates a powerful distortion, worth playing with at your band practice, live and in the studio (Yes, I have made some home recordings using the Boss DS-2 pedal).
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So, the conclusion is that; if you want a distortion pedal that is easy to handle, has a good tone for live playing and practicing etc.Send report Read all 116 reviews Rate product Standard Delivery Times. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Please try again.Wednesday, Aug 19No Cost EMI availableNo customer signatures are required at the time of delivery. To pay by cash, place cash on top of the delivery box and step back. Order delivery tracking to your doorstep is available.Check your eligibility here Flat 3 BACK for non-Prime members.Get credit up to ?1,00,000. Check eligibility here Sign up for free In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Please try your search again later.You can edit your question or post anyway.Amazon calculates a product's star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers and factors that establish reviewer trustworthiness. Please try again later. Anonymous Joe 5.0 out of 5 stars Value for money. You cannot compare this with Marshall distortion but they are really goodSorry, we failed to record your vote. Please try again Strong metal casing. Easy to use. I recommendSorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Would do business again with seller for sure.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again It fits well in my daisy chain.Sorry, we failed to record your vote.
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Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Was not disappointed.Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Sorry, we failed to record your vote. Please try again Two thumbs up Two thumbs upSorry, we failed to record your vote. Please try again Now I'm probably never using my DS-1 again.Sorry, we failed to record your vote. Please try again Comes with a 9v already in it so plug and play. Heavily search what kind of sounding distortion you want so that you can make the right pedal choice before buying it, id say to anyone who didnt like this peadal.Sorry, we failed to record your vote. Please try again. Something went wrong.Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab Delivery times may vary, especially during peak periods. Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Learn more - opens in a new window or tab Contact the seller - opens in a new window or tab and request a postage method to your location. Please enter a valid postcode. Please enter a number less than or equal to 3. If you don't follow our item condition policy for returns, you may not receive a full refund. Refunds by law: In Australia, consumers have a legal right to obtain a refund from a business if the goods purchased are faulty, not fit for purpose or don't match the seller's description.
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More information at returns. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Search results for: (found: ) ask for a document File Date Descr Size Popular Mfg Model: Found in chassis2model: Found in repair tips. To play the media you will need to either update your browser to a recent version or update your Flash plugin.You will not be charged until your item ships. Turbo Mode I produces warm and mellow distortion with flat frequency response which is perfect for playing blues-rock while the Turbo Mode II provides biting distortion with a mid-range boost that will give you a scorching hot lead. In both modes, the DS-2 enables you to make adjustments to the level, tone and distortion so you can get the exact sound you're looking for. The built-in remote jack allows you to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes.To play the media you will need to either update your browser to a recent version or update your Flash plugin.Fill out this form and we'll BEAT IT!Please read our Privacy Policy and Terms Of Use. It has never been owned and is an open box demo model that has been gently handled by customers here in our brick and mortar store. In beautiful, near-mint condition. Includes box and owner's manual. Optional 9V power supply sold separately. We ask that you observe its pictures closely and invite you to contact us with any questions you may have. Mode One produces warm and mellow distortion with flat frequency response. Mode Two provides a biting distortion with a midrange boost that's great for leads. The built-in remote jack on the Boss DS-2 Turbo pedal allows you to connect to an external footswitch such as the FS-5L for instant, handsfree mode switches. It has never been easier to find out of learning guitar is for you.It has never been easier to find out of learning guitar is for you.It has never been easier to find out of learning guitar is for you.
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Please try again.Please try your request again later. This e-book will explain how the circuit works in an easy to understand way. It will detail what tools you may need, where to buy parts, and also give you an overview of what the modifications are doing. This ebook will give you new DS-1 mods not found anywhere else, along with a complete circuit walk-through that will explain in everyday-easy-to-understand language which will allow you to create your own modifications as well. A quick google search will explain what the difference is, but basically the surface mount version has very small parts, and is found on the newest versions of the pedal after around 2017 or so and newer. Also, these mods are not for the Waza Craft versions.In order to navigate out of this carousel, please use your heading shortcut key to navigate to the next or previous heading. Amazon calculates a product’s star ratings using a machine learned model instead of a raw data average. The machine learned model takes into account factors including: the age of a review, helpfulness votes by customers and whether the reviews are from verified purchases. Please try again later. Amazon Customer 5.0 out of 5 stars If you don't want to invest so much time to modify your DS-1, there are several mods proposed at the end of the book. I tried Classic Rock. It sounded okay but you still feel it comes from the DS-1; I wasn't totally satisfied. Totally different pedal, a lot more open, you can dial just the amount of distortion you want and your playing can kick in the cliping when you play harder. You can also crank it up no problem. You can play with the tone and find very cool tones that suite for many genres of music.Gives lots of useful tips on how the circuit works and how to mod it. Information that is useful for other circuits too. Concise and clear.Sorry, we failed to record your vote. Please try again.
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We use cookies to remember log-in details and provide secure log-in, collect statistics to optimize site functionality, and deliver content tailored to your interests. Click accept to give your consent to accept cookies and go directly to the site or click on more information to see detailed descriptions of the types of cookies we store. Dividers, master clock, aux, logic, logic switches Change the VCO and LFO range amongst oth CPB circuit diagram. SSK circuit diagram See more information on the site. By John Simonton Korg PS3100 PS3300 resonator. drawn by K. Ishii VCF series routing, VCF slave mode Rogue Divider Xpander PCB, schematics partslist and ass Including all pictures in TIFF format, and the article text in a textfile Used as Oscillator 3. Schematic Publisher is perfect for students, hobbyists, and professionals. The schematics is converted from the PS file. Also the Schematics drawn by Bugbrand. As the street prepares to enter a new phase, we look back on its iconic past. Never has an album's title been more apt. Is it a worthy addition to the legendary British band’s weighty catalogue? Here’s how to fix it. As the street prepares to enter a new phase, we look back on its iconic past. Never has an album's title been more apt. Is it a worthy addition to the legendary British band’s weighty catalogue? Here’s how to fix it. Over time, some of these units have stood out from the crowd and become recognised as the most iconic, the most influential and the most sought-after guitar effects of all. You’ll find them on hit records, at the feet of the biggest-selling artists ever, and maybe even on your pedalboard, too.Designed to sit atop an amplifier, the Rangemaster Treble Booster was created to cut through the mush of dark-toned amps and murky 1960s live stages, yet guitarists soon found it was capable of something much more interesting. Clapton’s revolutionary Bluesbreakers tone. It had that depth, the overtones, the sustain, and the throaty splutter.
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I just knew that it was the sound I’d always been looking for, so we bought two at ?25 each, took them home and that was it.” The team behind the BigSky contains some of the modelling masterminds who had created the Line 6 Stompbox Modeler range a decade previously, and the ethos behind Strymon’s big-box pedal is similar, but more refined.Shimmer adds highly adjustable pitch-shifted tones, while Swell brings the reverb or dry signal in gradually like a volume pedal. With 300 presets, the BigSky is well designed for live use, too, and all in all, it’s no wonder many players consider it to be the greatest digital reverb pedal ever made. The first delay pedal to use Boss’s compact enclosure, the DM-2 is now a bona-fide classic among pedal enthusiasts. Boss tweaked the design on numerous occasions, and there are now considered to be three different versions, all revered for their warm analogue tone. The first version used the MN3005 BBD, which was soon switched to the MN3205 BBD, with the third iteration also seeing different PCB markings. Featuring three dials for Repeat Rate, Echo and Intensity, this analogue tone-machine is able to produce delay times ranging from 30 to 300 milliseconds and its limited frequency response gives the pedal its warm characteristics and enveloping tone. The DM-3 comes in at a lower price point on the used market, but some prefer the cleaner nature of its repeats. It uses a very simple circuit with a single op-amp and two germanium diodes, while also outputting more gain (46.5dB) than its competitors, namely the BOSS DS-1 (35dB) and Tube Screamer (41dB).First introduced in1981, the CS-2 Compression Sustainer was a development on the circuit found in the CS-1, and used a VCA (voltage-controlled amplifier) instead of the photocouplers found in the CS-1. The implementation of the VCA chip sped up the signal processing of the circuit, which in turn made the attack faster than that of the CS-1.
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Following the success of the CS-3, which was introduced in ’86, the CS-2 was discontinued in 1989, but vintage iterations of this iconic squeezebox can now fetch north of ?200 on Reverb.com. The CS-3 remains Boss’s only compression pedal still in production, yet we remain hopeful for a WAZA Craft reissue of the CS-2 in 2019. By slowing down one of two playback reel tapes by around 20ms, the time delay causes a flanging effect. The Electric Mistress allowed players to take this tape-manipulating sound out of the studio and onto the bandstand. There were numerous design changes, alongside minor changes to the schematic and a varying range of PCBs; the most commonly seen features a large green font. A filter matrix switch was added in 1977 and the introduction of the Deluxe version followed in 1978, sold alongside the standard version until the early 80s. Early models are famed for their fluid characteristics and chorus flanging.Famous for its low noise and hard edge, the DS-1 initially featured a Toshiba TA7136AP preamp chip, not an op-amp, during its early production days in Japan. This model is easily distinguishable due to its silver screw and long dash. These chips were still manufactured in Japan, but resulted in a lower output and more transparent drive. Its more recent revisions have come within the past two decades: once in 2000, when both the pedal and chip (Mitsubishi op-amp) were made in Taiwan, and finally in 2006, when a New Japan Radio NJM2904L op-amp became the primary chip. Cheap, cheerful and ubiquitous, you’d be hard pressed to find a better meat-and-potatoes distortion at this price point. However, if you belong to the school of thought that compressors should add real texture and flavour to your tone, then look no further than this iconic red stompbox from MXR.

Featuring two straightforward Output and Sensitivity controls, for volume and compression respectively, the Dyna Comp became an immediate hit, favoured by the likes of Bonnie Raitt and Lowell George, before landing at the feet of David Gilmour and Andy Summers. Strum a big open chord and you’ll hear an entirely different tone on top of the expected attack and decay. Both pedals, particularly box-logo models from the early 1970s, have a sound that is close enough that only the keenest compressor aficionados can tell the difference, resulting in a continuation of the classic Dyna Comp sound. The little orange box is more than just a phaser, it’s the phaser, and has become totally synonymous with the effect. It’s a purely cosmetic difference, however, and the two pedals were identical under the hood. The original MXR company went bankrupt in 1984, but Dunlop produces a variety of Phase 90 variants and reissues today. First introduced in 1989 by IVL Technologies, the now ubiquitous Whammy was a gamechanger in the stompbox world. A simple pitch-shifter controlled by an integrated expression pedal, this revolutionary metal box introduced guitarists to a new world of strange and esoteric guitar playing. With only this dirty dozen ever existing, they’re extremely rare and if you were to stumble across this particular rodent, you should immediately escort it to the Natural History Museum. This model is commonly known as the Whiteface RAT. The Tone Bender was originally designed and made by guitar technician Gary Hurst, who had previously worked for Vox and later for the Macari brothers. Legend has it that session ace Vic Flick (of James Bond theme fame) came into the Macari’s shop complaining his Maestro Fuzz-Tone lacked the sustain he needed, so Hurst offered to build him something better. By taking the Fuzz-Tone circuit and beefing up the voltage from three to nine volts, the result gave Flick the singing sustain he wanted.

It has been through many iterations, and made under many brand names, including Sola Sound, Colorsound, JMI, Vox and Marshall (as the Supa Fuzz), but whatever the name, it remains a quintessential fuzz. Boss has continued to update the CE series and in 2016, debuted a modernised CE-2 in its high-end WAZA Craft range. Boss’s chorus practically defines 80s guitar; use a vintage CE-1 today and you may be surprised to find it sounds every bit as beguiling as its successors. Line 6 had only been around for three years, and had enjoyed considerable success thanks to its revolutionary POD amp-modelling unit, but the four-switch Stompbox Modeler range represented a concerted effort to invade the pedalboards of serious musicians. While the MM4 Modulation Modeler and FM4 Filter Modeler have their fans, the DL4 Delay Modeler became an unprecedented hit, and it wasn’t long before seemingly every guitarist on the planet had this big green box on their pedalboards. Some went even further, basing their entire sound on the DL4’s widescreen atmospheric capabilities and seemingly endless well of inspiration. There’s also the oft-forgotten looper function, which allows you to sample, reverse and slow down your repeats as needed. More accurate and versatile units have followed, but there’s something about the way the DL4 works that is enduring, and uniquely inspirational. This probably wasn’t what Bill Finnegan envisioned when he had the ingenious idea to use a high-fidelity, low-noise preamp in an overdrive pedal back in 1990. The result was the Klon Centaur: a wonderful overdrive and boost that offers a widescreen frequency range and addictive touch responsiveness. The scarcity of supply (8,000 or so were produced between 1994 and the end of production in 2000) meant that they soon began to skyrocket on the used market. If you can afford it and can find one, you won’t want to switch it off.

This was done by cascading the circuit into additional sections, each one clipped by twin diodes. However, when you clip, the tone can be a bit raspy.The BBD chips were responsible for achieving an analogue warmth and tape-like echo that guitarists fell for, but Electro-Harmonix didn’t stop there. So in addition to an effected output, the Deluxe also sported an output for the dry signal, and there was a Level control to tweak the intensity of the effect.These early wahs were beloved by many players, not least Jimi Hendrix, but they were often unreliable and inconsistent. Enter Jim Dunlop. Seeing an opportunity to expand Dunlop Manufacturing’s remit from accessories to effects, Jim bought the brand and, alongside engineer Sam McRae, set about fixing many of the build and reliability issues, while preserving the all-important tone.If you only own one stompbox, it’s probably a Tube Screamer. You can always unsubscribe (so you won't receive any more e-mails) by clicking on the unsubscribe link at the bottom of each e-mail. We provide insight and opinion about gear, artists, technique and the guitar industry for all genres and skill levels. The CE-2 builds on the legacy of the CE-1 with reduced features: mono output instead of stereo, no vibrato mode, no integrated power supply, no level and no intensity controls. The CE-2 has higher input impedance and boosted mid frequencies, both arrangements very suitable for electric guitars. Roland stopped marketing the CE-2 in 1982, however still produced until 1990. There are basically 3 versions of the pedal: Some early stand-alone stompboxes like Vibra-Chorus and Uni-Vibe by Shin-Ei were released in 1960s, creating some degree of phase shifting or chorus modulation. The CE-2 follows the same tonal response. The usual delay times are around 5 to 50ms and LFO oscillating frequencies are up to 20Hz. CE-2 uses triangle LFO waveforms. There are several possibilities: Hearing both signals together the chorus effect is created.

The input and output circuits use the dual op-amp uPC4558C IC, while the LFO is implemented with the help of a TL022LP op-amp. Some additional active filtering is applied using Sallen-Key transistor stages. The effect response is commanded using two controls: The top of the board contains all the pads to attach the cables to be connected to the jack connectors, potentiometers, and the footswitch. It also carries other benefits like the number of components used in the pedal and using a light indicator and a power-on LED at the same time. The JFET Bypass Switch enables two possible toggle configurations: The VR 3 potentiometer is able to finely trim the 4.5 voltage: sometimes due to the loading of all stages, the 4.5 voltage might suffer some offset, the BBDs are sensitive to the bias, adjusting VR3 will bring maximum clean headroom. The 9V regulated line will bring the supply for the Bucket Brigade Stage, rejecting high-frequency harmonics which are especially harmful in BBDs signal processing due to the clocking noise of the MN3101 clock driver. This pedal was originally designed for an external 12V ACA supply adapter. The series resistor R53 and diode D5 between the minus input on the power jack and ground are used to reduce the internal voltage supply. The voltage drop over the resistor and diode will under-power the pedal making the power-on LED glow faintly. One easy solution is to use a daisy chain cable together with another standard pedal. The link between the two pedals will short the resistor-diode circuit and the pedal will receive full power. It also separates the guitar from any pedal DC potential, protecting the pickups in case of circuit failure. But applying the same filtering to the delay signal, the output signal will reduce any hiss acquired via the delay path. Boss CE-2 uses the op-amp inverting architecture.

It is also implemented over the 4558 dual op-amps and designed to attenuate the magnitude of the high frequencies with respect to the mid-low frequencies. This filter takes the unnatural sounding pre-emphasized audio and turns it back into its original response. These are generated at integer multiples of the sample rate. The ideal filter specification is the same as that for the anti-aliasing filter. In this way, the input signal is bandlimited to prevent aliasing. The cut-off frequency can be calculated as: The output signal must be bandlimited, to remove the clock noise and prevent aliasing (meaning Fourier coefficients being reconstructed as low-frequency waves, not as higher frequency aliases). The cut-off frequency can be calculated as: After the delay stage, slightly more bass pass through the circuit. At the same time, a Low-Frequency Oscillator (LFO) is needed to drive the MN3101 in order to generate the variable delay time which is the gist of the chorus effect. It is used to discharge the C 22 47pF timing capacitor, which is charged through the R 38 150K resistor. Indeed, Q 5 together with the MN3101 will oscillate by itself at a constant frequency without Q 4 and its associated components. The cycle repeats at an ultrasonic rate. Immediately after C 22 discharge, the diode D1 is needed to isolate the output of Q4 transistor.As the LFO cycles, the delay time goes up and down and therefore the delayed audio pitch slightly shifts up and down. Some ticking can be mixed with the audio when the LFO produces the rising or falling edge of a square wave and there is a very sudden surge in the current. This simple circuit provides a variable frequency triangular waveform whose amplitude is also variable. The oscillation frequency can be calculated following the formula of the Triangle Oscillator by Ron Mancini: The action of VR2 will modify the steepness of the ramp and therefore the amplitude or depth at a fixed frequency.