Boss Micro Br 4 Track Digital Recorder Manual

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Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Additionally, in order to feel The manual should be saved and kept No part of this publication may be reproduced in any form The manual should be saved and kept on hand as a convenient reference.Such noise could occur when and observe the following: receiving or initiating a call, or while conversing. Normal mode (allows multi-track recording) Song created by the. Indicates the current mode. In Bounce mode or Mastering mode, this indicates the respective recording level Display Mode (bounce level or mastering level). (unlit) If nothing is indicated, this means you’re in TR 1 2 3 4 Normal mode. The screen in MP3 mode (see illustration below) is called the MP3 screen. The MICRO BR is designed to This is a high-impedance input jack for supply power to plug-in powered mics that directly connecting your guitar or bass. This When the MICRO BR is shipped from the. Push the memory card inward. fig.batt-cover2.eps Reattach the battery cover. fig.batt-cover5.eps When the MICRO BR is shipped from the factory, a SD card containing a demo song is installed. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. Operation Explanation Fast-forward The song will fast-forward while you hold down Rewind The song will rewind while you hold down Move to the beginning of the song (00:00:00-00.0) Hold down.
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Adjust the sensitivity for the source you As an example, we’ll explain how to connect your want to record. The indication will blink in the screen, and the MICRO BR will be in recording standby condition.This is helpful if you want Slowly turn the VOLUME dial to adjust the to practice playing along with the backing volume. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. Choose one of the Make sure that the display does not indicate following data types. (p. 44) or (p. Listen and compare the input source with The Repeat function (p. 45) lets you repeatedly the track to be re-recorded, and adjust the play back a specified region (the loop region). If you use this operation to erase data, (Start, End) and the time or measure of the any data located later than the erased data will move destination (To). If you’ve When it doesn’t settle on one screen because created a patch that you’ll want to use with other. When writing is completed, you’re returned The MICRO BR lets you change the location to the effect screen.Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s MICRO BR. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s MICRO BR. This divides the original sound into three frequency ranges: low, mid, and high.When the output of the MICRO BR is sound when a condenser microphone is used.And you can The MICRO BR is now in Mastering mode.The display will ask “Are you sure?” Here’s how you can assign a name (patch name) to the kit settings you’ve edited, and save them as If you are sure you want to write to the a new patch. The pattern type is indicated by the letters at the The MICRO BR provides a dedicated rhythm end of the pattern name. MICRO BR fig.Disp-PtModeKit-STD1.eps Preset Drum Kit 9.
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Specifying the pattern for the You’ll be in Song Arrangement Edit mode.The rhythm screen appears.You can’t specify an end point that’s less fig.01-570 than one second away from the start point. Using USB allows you to connect different The MICRO BR is equipped with a USB port for peripherals using a single USB cable, and connecting the MICRO BR directly to computers, also provides rapid data transmission. The folders and files created are as shown below. The end of the USB cable that is connected to the fig.05-010. Such filenames will not be When you connect the MICRO BR via USB to displayed correctly.Transfer audio files using the following procedure. The audio files saved in the MP3 folder will be displayed. In My Computer, right-click on the It’s a good idea to create a new folder as. The root folder (p. 103) of the MICRO BR (memory card) will be displayed. Transfer audio files using the following procedure. Double-click the MP3 folder in the MICRO The root folder (p. 103) of the MICRO BR (memory card) will be displayed. The audio files saved in the MP3 folder will be displayed. Close the all windows in your computer.If function” that allows you to tune your this is the case, perform the procedure given instrument quickly. Arrangement Initial Starting measure Beat BREAK Drum Kit Name Tempo ROCK1. COSM GTR AMP MS Drive COSM GTR AMP St Metal COSM GTR AMP MetlCore COSM GTR AMP Lesfilln COSM GTR AMP Twangstr COSM GTR AMP Thirdz COSM GTR AMP Blues Dv. When the input source. The smallest unit of memory used by the No Song. MICRO BR to store recorded results on a memory card is the event. A newly created Cause: There are no songs on the memory card. For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name: MICRO BR Type of Equipment: Digital Recorder Responsible Party: Roland Corporation U.S.
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Additionally, in order to feel The manual should be saved and kept No part of this publication may be reproduced in any form Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. COSM is Roland’s proprietary technology, and is an evolutionary advancement upon several such sound modeling methods, allowing a whole new range of sounds to be created. For a list of the SD memory cards checked for use with the MICRO BR, refer to the separate leaflet “About SD memory cards.”. Display Mode (unlit) If nothing is indicated, this means you’re in Normal mode. This means you’re in Bounce mode. This means you’re in Mastering mode. This means you’re in MP3 mode. Cursor This indicates the parameter that's selected for adjustment. Battery Indication Indicates the amount remaining in the batteries when running on battery power. Indication Remaining battery capacity The batteries are in good condition. The batteries are approximately half full. The batteries are low. Replace the batteries early. The batteries are empty. Connecting any other device may damage that device. Slide the battery cover in the direction of the arrow, and remove it. fig.batt-cover1.eps If batteries are already installed, remove them from the battery compartment. Push the memory card inward. Side Panel (Left) AC Adaptor (PSA series) fig.side-panel-R.eps Side Panel (Right) Electric Guitar Electric Bass Plug-in powered microphone (p. 18) Your equipment must be powered off when making connections. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. Playing the demo song When the MICRO BR is shipped from the factory, a SD card containing a demo song is installed.If you want to record a new song, proceed as follows.
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If this happens, use connection cables that do not contain resistors, such as those from the Roland PCS series.Here we’re going to explain how to select GTR (guitar) as the input source, and use the insert effects. For more about insert effects, refer to “Section 3. Make sure that the display does not indicate Press The track select screen will appear. The indication will blink in the screen, and the MICRO BR will be in recording standby condition. Playing back a recorded performance Hold down and press Move the time location to 00:00:00-00.00. Press Playback will begin. Use the VOLUME dial to adjust the playback volume.For details, refer to “Section 5. Using MP3 player” (p. 88). Playing the demo MP3 file Here’s how to play back the included demo MP3. This is helpful if you want to practice playing along with the backing instruments.Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. For best results, you should record at as high a level as possible without allowing the sound to distort. Playing back repeatedly (Repeat) The “repeat” function lets you play back a specified region repeatedly.When you’re ready to punch-out, press or (or press Each time you press punch-in and punch-out, so simply perform the same procedure at any other location that you want to re-record. Listen and compare the input source with the track to be re-recorded, and adjust the INPUT LEVEL dial so that there is no difference in volume. You can also view the song’s data type and size.Copying data (Track Copy) This operation copies data from the specified region of a track (or the entire track) to another location. In some cases, this unneeded data may occupy significant space on the memory card, unnecessarily using up the card’s capacity.
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To prevent such accidents, the Song Protect setting lets you protect a song so that it cannot be erased or modified. You can use both the insert effects and reverb simultaneously, and make settings for each as desired. Here we will explain how to adjust the various settings (parameters) for each insert effects, and how to save your settings. For example, the patches of the guitar bank will be selected if you’ve chosen GTR (guitar) as the input source, and the patches of the line bank will be selected if you choose LIN (line). Use this setting if you want to try out various effect settings after recording. The algorithms that can be selected will differ for each bank.Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s MICRO BR. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s MICRO BR. Sens Adjusts the manner in which the enhancer will be applied relative to the input signals. Gain Sets the overall volume level before the signal passes through the compressor. Delay Time This sets the amount of time by which the source input sound is delayed. Split Freq L This sets the frequency (in the lower range) at which the source sound is split into three. The distortion and tone characteristics of each amp are as shown below: JC-120 The sound of the Roland “JC-120,” a fa- vorite of pro musicians around the world. CLEAN The sound of a conventional built-in tube amp. For details on the reverb parameters, refer to “Reverb Parameters” (p. 73). Reverb can normally be applied only to the monitored sound (the sound you’re hearing). What is Mastering Tool Kit. When creating an audio CD from your recorded songs, or recording to a similar. Hold down and press Move to the beginning of the song (00:00:00-00.0). 10. Press will blink, and the MICRO BR will be in recording standby condition. fig.Disp-mst-standby.eps 11. Press will lights, and mastering begins. 12.
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If you want to save your edited settings, you can save them as a user patch or a song patch. Hi Attack This sets the time it takes for the upper-range compressor to go into effect once the input level exceeds the Hi threshold level. You could let a certain pattern repeat endlessly and practice along with it, just as though you were playing along with a metronome. However, using just a single pattern from the beginning of the song to its end would make the rhythm rather boring. To give your song greater musical variety, you’ll probably want to arrange patterns in order, such. The MICRO BR contains nine different drum kits. fig.04-030 MICRO BR Preset Drum Kit 9 Preset Drum Kit 3 Preset Drum Kit 2 Preset Drum Kit 1. You can create an arrangement of up to 999 measures in length. After creating an arrangement, you can save it as a “song arrangement.”. The erased step will take on the contents of the subsequent step. fig.Disp-ar-ins.eps Perform steps 1 through 7 of “Specifying the pattern for the first measure” (p. 83), to select the song arrange you want to edit. The display will indicate “AR:”. Each time you press the button, the indication will alternate between “PT:”. MP3 is an audio file format that is commonly used in portable audio players and to distribute music over the Internet. Compared to uncompressed (linear) audio formats such as WAV, a much smaller amount of data is required. Roland and BOSS assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit. Switches to MP3 mode; the display will indicate (the MP3 screen).Switches to MP3 mode; the display will indicate (the MP3 screen).This is helpful if you want to practice playing along with the backing instruments. The MP3 player screen will appear. Switch to MP3 mode as described in “Switching to MP3 Mode” (p. 90). Press The Type parameter will appear. Such filenames will not be displayed correctly.
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Use a USB cable to connect the MICRO BR to your computer. When communication with your computer begins, the MICRO BR will display a message of “USB connecting.”. Close the all windows in your computer. Click the icon in the task tray. Use a USB cable to connect the MICRO BR to your computer. When communication with your computer begins, the MICRO BR will display a message of “USB connecting.”. When you have finished USB connecting, the message “You may disconnect.” will appear. In this state you may safely disconnect the USB cable from the MICRO BR and from your computer. If this is the case, perform the procedure given below to adjust the contrast (1 to 20).Choose the track on which the audio data will be recorded. Specify the location within the specified track into which the data will be imported. Perform the procedure given below to activate the power save function.Arrangement Initial Beat Name Tempo ROCK1 ROCK2 ROCK3 ROCK4 ROCK5. See “Turning the power on”. Refer to this list and take the appropriate action. Cannot Edit! This is a Preset Cause: Preset Rhythm Arrangement is selected;. Please contact Roland Service or Roland authorized dealers. In case of using batteries: Please replace with new batteries (p. 20). Protected! Too Many Songs! Cause: You are attempting to create more that 100 songs. Solution: Erase unneeded songs (p. 58). Unformatted! Cause: The MICRO BR cannot recognize or use the format of the inserted memory card. My first studio comprised a Teac 3340 four-track open-reel machine, a 12-channel MM mixer, a Great British Spring reverb and a couple of home-made compressors. The mics were whatever I used live, and mastering was to an open-reel stereo tape machine. In the effects department, my pride and joy was a tape-loop echo machine augmented by a couple of guitar pedals.
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And now, Roland send me a complete four-track Boss digital studio that, if it hadn't been for the generous cardboard packaging, could have been posted directly through my letter box. It also doubles as an MP3 player, and features a USB port for communicating with a computer. I have to admit that back when I started out in recording, I never for a moment imagined a fully functioning recording studio that you could lose down the back of the sofa! This enables the Micro BR to use SD flash memory, rather than the usually bulkier alternative of hard drives. If you don't compress music too aggressively, the subjective listening experience can still be surprisingly good from MP3s — the Micro BR offers you three different compression options so that you can trade off recording time against audio quality when necessary. Unlike tape, where you had to leave a track free if you wanted to 'bounce' down existing tracks to make more space available, the Micro BR allows you to record all four tracks and then bounce these to a virtual track. You can then make further recordings either to the newly freed-up tracks or to other other virtual tracks, enabling you to bounce down and then add new tracks without necessarily having to discard any of the previous stages, as you had to in the days of analogue tape. There's a very good on-board guitar tuner and a microphone built into the front panel. Normally, inbuilt mics don't give great results, but because the Micro BR has no moving parts, you can record vocals or instruments without suffering from the background motor whine that always afflicted cassette recorders. The Micro BR is very sleek and stylish -- almost too stylish to be a piece of recording gear. The display is hidden beneath the semi-reflective, mirror-finish front panel. There are also relatively few buttons, aside from the familiar tape-style transport buttons, the power switch, and four track select buttons.
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Once cleared, this size of card will hold just two or three typical songs, but as memory card prices are now so low, the best bet is to fit the largest SD memory card you can find. The largest mentioned in the manual is 1GB, which gives around two hours of four-track recording (502 track minutes) in best-quality mode, 604 track minutes in standard mode or 755 track minutes in long-play mode. It is worth remembering, though, that recording to virtual tracks uses just as much memory as recording to real tracks. Access to the card slot is via the battery compartment. This takes two AA batteries, though you can also use an optional power adaptor, which is more eco-friendly, especially for long indoor sessions. You can save favourite songs onto the unit in MP3 format, as you might with a conventional MP3 player, and some neat processing allows you to slow these down for working out parts. There's also a central image canceller that reduces the level of vocals and other centrally panned parts for karaoke applications, but let's not go there. The USB cable is one of the miniature types used with cameras, but isn't included, so you may need to visit a photographic shop or buy one on-line. With the unit comes a protective fabric sleeve, a manual, the 128MB card, a couple of batteries and a proper printed manual. You can record one or two tracks at once and there's a stereo mini-jack for bringing in external line or stereo mic sources. This works with commercial stereo mics, making the Micro BR the ideal concert bootlegger's tool (I didn't say that!). You can switch on 2.5V microphone power for mics that need it, such as camcorder mics, while a further full-size quarter-inch jack allows guitars and basses to be connected directly. When doing the final mix, the four selected tracks can be bounced down to a new stereo file, via a choice of mastering processors that can add polish to the end result.

The mastered file may then be saved as an MP3, so it can be played on your computer once transferred. Cosmetically, the unit is almost too stylish to be a piece of recording gear, and until you power it up you don't even realise it has a display, as this is hidden beneath the semi-reflective, mirror-finish front panel. There are also relatively few buttons, aside from the familiar tape-style transport buttons, the power switch and four track selection buttons. Separate buttons access the effects and drum rhythm functions, and pressing both together activates the on-board guitar tuner. The remaining buttons are used to select the Utility menu and operating mode as well as providing an Exit function. Using The Micro BR To understand how this machine operates, you need to appreciate that it has three distinct operating modes: Normal, Bounce and Master. Normal is the mode you use when recording, Bounce is for combining recorded tracks onto a new track (mono or stereo) and Master is for doing the final mix via the on-board mastering processors. When cruising the menus, the four track buttons double as selection or confirm buttons for the functions displayed directly above them in the display, so operation is extremely intuitive. Next, you select the input source using the Input button, after which you select the required option using the track buttons, then set the record level using the thumbwheel level control alongside the input jacks. A similar thumbwheel on the left edge of the unit adjusts the headphone level, and the USB port is also located here. I'd have liked a bit more headphone gain for overdubbing when the tracks have been recorded at fairly cautious levels, but on whole it is adequate. You can record either dry or via Insert effects, and you get a choice appropriate to the source you've selected. For example, if Guitar is your source, you get a range of amp models plus effects.

There is a very useable selection of presets for the effects, and if you are not comfortable programming your own (or you'd rather just spend your time playing!) then you should find these very useful. If, on the other hand, you don't like any of the presets, you can do a sensible amount of editing to fine-tune them. The amp models cover a good range, including the classic British class A and British stack sounds, as well as the standard American combo and plenty more models with a bit of crunch, so there should be enough here to suit most styles. There's also overall reverb, which can be added to any of the tracks after recording, and a selection of mastering effects and processors that only become available when you're processing the final mix. To make a recording, you select the track button, press Record, which puts a flashing record sign in the window as well as flashing the track that's armed, then hit the Play button to start recording. If the rhythm section is switched on, this starts at the tempo you have selected and includes a count-in to get you started. When you're done, hit Stop, then press Rewind and Stop at the same time to take you back to the start of the song. Tracks that have been recorded light up solidly. Subsequent tracks are armed and recorded in the same way and, as the insert effects are permanently recorded with the track, you can opt to have different effects on every track if you want to. If you're recording via the inbuilt mic, it seems best to work pretty close up: for vocals, the best technique is to hold up the recorder and use it in the same was as a hand-held mic, about three inches from the mouth. The recording quality is surprisingly good and, though it doesn't rival a good studio mic in this respect, the end result is quite plausible. There's also no significant tendency towards popping, though you could of course use a pop shield between the recorder and yourself if you have problems in this regard.

If you need to change the relative balance of the tracks, as you will invariably need to do to get the best mix, you can do so in Normal, Bounce or Master mode. Pressing one of the four track buttons selects the track you want to adjust. You can also adjust the pan positions and reverb levels and, though perhaps not as intuitive as using faders, it is pretty straightforward — if you can figure out a mobile phone, you'll have no trouble with the Micro BR. To bounce a mix, you first select Bounce mode, set the balance, then select the virtual track onto which your bounce will be recorded. Bounces can be mono or stereo, with or without the rhythm track. If this seems scary, just picking the nearest preset and then adjusting the levels of the three bands is probably all you need to make your mix sound loud and sparkly. You get a good selection of effect presets, but there is a useful amount of editablity — you typically get as many controls per effect as you would for a typical stomp box. The guitar processing chain is pretty comprehensive: as well as the amp model and speaker simulation mentioned earlier, you also get noise reduction for taming the hiss on those high-gain settings, a choice of compressor or any of the popular modulation effects (chorus, flange, phase and so on) as well as delay, though reverb is added globally. The vocal effect chain is a little simpler, with compression, enhancer, EQ, noise suppression and delay but, again, there's also the overall reverb that can be used to add individual amounts of Hall or Room reverb to the four audio tracks and to the rhythm track. The reverb can be edited, in this case for time, tone and level. For more detailed recording, you can repeat certain sections for practice or to set up auto-punch ins or outs by setting A and B markers via the AB buttons, and there's also an Undo function in the Utility menu that allows you do cancel the last thing you did, such as recording a duff overdub.

You can also set up a manual punch in which is activated on the selected track by pressing the Record button once the track is playing. Copy or Move editing is also possible within tracks or even between tracks but this relies on you setting precise start and end points for the region to be copied, then specifying the exact time location to which you'd like it to be copied. This is no harder than copying and pasting in any non-computer workstation, but unless you are working to a drum rhythm, it can be a bit hit-and-miss. A similar technique can be used to erase unwanted sections of tracks. Songs can be named, saved, individually copied or individually erased, which is great for managing your recordings. Unused data on the memory card can be freed up using Song Optimise, and songs may be named with up to eight characters. Alternatives The concept of the compact studio system has been around for a while, although there are few systems that are quite as compact as this. Korg's PXR4 and Zoom's MRS4B have similar functionality but are by no means as convenient in terms of portability. The nearest comparable units I can think of are those by Zoom, who are always keen to pack as much as they can into one box. The PS02 and PS04 'palmtop' recorders are similarly small and they have a good range of basic effects, multitracking capability and USB connectivity. However, the technology is a little older, and they use the Smartmedia card, which imposes a much lower limit on data storage. On the other hand, downloadable software does allow you to convert individual tracks for import to your sequencer. Probably the closest thing to the Micro BR at the moment is Zoom's H4 portable recorder, reviewed in SOS December 2006, which is capable of recording at higher sample rates. It offers a similar range of modelled effects and multitracking facilities, as well as providing a USB computer interface, though it is a little larger and more expensive than the very affordable Micro BR.

Impressions Once you've figured out how to use the Micro BR without your guitar cable dragging it off the table, the basic operation is actually very straightforward and the audio quality in either standard or high-quality mode stands up to what you'd expect from a good MP3 player. There's no noticeable hiss, the effects are good and even the modelled guitar sounds come over as impressive and 'produced'. You may not want to trade in your favourite tube amp, but you can get close to most of the expected electric guitar sounds, from clean and country to down and dirty. If I'd had half these effects when I started recording I'd have been more than happy. To get the recorder thrown in too, for less than the price of some guitar pedals, is pretty amazing. Other than your instruments, all you need to get started is a pair of headphones. Being able to back up a virtually unlimited amount of work onto your computer via USB mitigates the recording time limitations of flash memory cards. As far as memory is concerned, the drum machine doesn't count as an audio track. Though it doesn't challenge the best drum boxes on sound or flexibility, it's pretty versatile and includes useful rhythms across a range of styles. Once connected via USB, there's a Roland folder for songs and an MP3 folder in to which you can drag songs that you want to hear. Each new song has its own folder, so the audio files are backed up, as are any necessary settings, including effects. However, you need to convert your finished mastered mix to an MP3 within the Micro BR before you can play it in the outside world. It would have been nice to see a function that would allow you to export song projects as complete bunches of track-length MP3 files so you could drop them into your favourite sequencer, but I could find no direct way to do so. You could, however, bounce each of the four tracks separately and then convert them to MP3s to achieve the same result in a more long-winded way.